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Photograph of San Gabriel Mission, c.1885. Al Greene Collection

INTRODUCTION The first section of this guide lists each Photographic Collection by number (P-1, P-2, etc.). A collection title will follow the number, which will in turn be followed by a brief description of that collection. A researcher may read this description to learn about the subject(s) covered by that particular collection. In some instances, additional finding aids are available to describe the content of a collection in greater detail. If such a finding aid is available this will be indicated by an asterisk [*] following the individual collection number. In some instances, a Photographic Collection relates to a General Collection of non-photographic items. Whenever this occurs, the General Collection number that corresponds to the Photographic Collection will be noted at the end of the collection description. For example, we have both papers and photographs relating to western cowboy film star William S. Hart. At the end of the description for the William S. Hart Photographic collection (P-75), there is a note that the General Collection number for the William S. Hart Papers is Gen. Col. #1112. Because we want to make as much of our photographic holdings available to researchers as possible, this Guide to the Photographic Collections contains materials that have not been totally processed. Consequently, it is not always possible to view a collection the same day it is requested. Some collections are temporarily closed while they are being organized.
P-1.* Prints Negs.	Adam Clark Vroman (1856-1916) Collection, 1895-1912. Photographs, Negatives. 54.7 linear feet (Boxes: letter, 5" x 7", ov ). Amateur photographer and bookstore owner. Made several expeditions to the Southwest from his home in Pasadena, California, to photograph the Indians in Arizona and New Mexico. Other subjects include Pasadena, Yosemite, and the California Missions, Illinois, Pennsylvania, and the Library of Congress. Vroman photographed in Japan in 1909 and in Europe in 1912. Many are pictured in Photographer of the Southwest and Dwellers at the Source. Images are arranged numerically. There is a subject card file and a shelf list.
P-2. Prints. Negs.	Al Greene (1906- ) Collection, ca. 1880-1950. Photographs, negatives. 14 linear feet (Boxes: letter, half-letter, and 3-ring binders/notebooks). Commercial photographer who made some of these photographs himself, but also bought and copied many negatives from other photographers. Some of these photographers' collections are listed immediately below as separate series within the Greene Collection. Most of the images are of Los Angeles and Southern California, but Northern California and some other states are included. Negatives are arranged numerically with shelf lists available. Prints are arranged geographically in 3-ring binders, mixed with the Putnam-Valentine photos.
P-2.1. Prints. Negs.	Putnam-Valentine Collection, ca.1880s-1930. Photographs, negatives. 68.5 linear feet (Boxes: letter, half-letter, 3-ring binders). Los Angeles-based team who documented the growth and development of Southern California over a fifty year period with John R. Putnam primarily handling the photography and C. O. Valentine the business end of the company. (Putnam's son, Arion Putnam, was also one of this collection's photographers.) The negatives are arranged numerically with shelf lists available. The prints are arranged geographically in 3-ring binders mixed with the Greene photos. Although some of the prints were made by Putnam and Valentine, most were made by Greene after he purchased the original negatives.
P-2.2. Prints. Negs.	Frederic Hamer Maude (1858-1959) Collection, ca.1890-1920. Photographs, negatives. 42.1 linear feet (Boxes: letter, half-letter). Maude was a commercial photographer who shot most of these negatives himself, but also obtained some from other photographers. Includes California, Arizona, and the West. Arranged numerically. There is a subject card file and a shelf list. For a collection of original prints made by Maude himself see P-99. For an album of prints made by Maude see P-100.
P-3. Prints. Negs.	Abel Fletcher Collection. (Boxes: record storage)
P-4.* Prints. Negs.	Andrew Alexander Forbes (1862-1921) Collection, ca.1890-1915. Photographs, negatives. 10 linear feet (boxes: letter, half-letter, ov ). First resident photographer in the Owens Valley, Forbes photographed primarily Paiute Indians and eastern California scenery. He maintained a commercial studio in Bishop from 1902 to 1916. Forbes also made panoramic murals and scenic calendars. Arranged numerically.
P-5.* Prints. Negs.	Warren C. Dickerson (1853-1936) Collection, ca.1890s-1920. Postcard albums, negatives. 55.2 linear feet (Boxes: 5" x 7", ov ). Commercial photographer who worked for postcard companies photographing around the country. About one-third of the negatives are of California. Included are several postcard albums. Arranged geographically by state and locality.
P-6.* Prints. Negs.	William Stinson Soule (1836-1908) Collection, ca.1869-71. Photographs, negatives. 2.5 linear feet (Boxes: letter, half-letter). Studio portraits of Plains Indians at the Fort Sill Indian Reservation, Ft. Sill, Oklahoma, ca.1869-71. Most images appear in Will Soule, Indian Photographer. Arranged numerically. Shelf list and name index are available.
P-7. Prints. Negs.	Frank Layton Washburn (1867-1950) Collection, ca.1900-35. Photographs, negatives. 2.5 linear feet (Boxes: 5" x 7", half-letter). Washburn was an inspector for the gas and electric company in Los Angeles; some photos document the company's work. Collection includes Los Angeles Chinatown photos, ca.1902-05, significant because they feature the Chinese inhabitants; other photographers at the time did not. Also includes San Francisco Chinatown and Fisherman's Wharf, Aug. 1904 and Sept. 1910. Arranged numerically.
P-8.* Prints.	Postcard Collection, ca.1895- . Postcards. 65 linear feet (Boxes: postcard, ov ). Alphabetically arranged by state, then by cities within each state. Box 1-25, California; Box 26-84, other states; Box 85-87, Canada. Also albums of postcards, including Europe, as well as some postcards arranged by subject.
P-9.* Prints.	California Alligator Farm Collection, ca. 1920s-1940s. Photographs. .2 linear feet (Box: half-letter). Photographs collected by donor, Marjorie L. Eade, of this Los Angeles attraction showing women and children riding on the alligators, ostriches, and in carts.
P-10. * Prints.	Sam Behrendt Collection, ca.1870-1920. Photographs. 7 linear feet (Boxes: letter, ov). Sam Behrendt was a Los Angeles collector of historical materials including photographs. Many of these photos were made by Charles C. Pierce. Subjects include Los Angeles and Southern California communities, San Francisco and Northern California, and some subject files. Arranged geographically and by subject.
P-11. Prints. Negs.	Geographic file, ca. 1870-1930. Photographs, negatives. 47 linear feet (Boxes: 5" x 7", letter, half-letter, ov.) Individual images (prints and negs.) not part of any other collection. Arranged geographically.
P-12. Prints. Negs.	Subject file, ca. 1870-1930. Photographs, negatives. 10 linear feet (Boxes: 5" x 7", letter, half-letter, ov.) Individual images (prints and negs.) not part of other collections. Arranged by subject.
P-13.* Prints. Negs. (Gen. Col 1231)	John B(artlett) Goodman, III 1910- Collection, mid-20th cent. Photographs, negatives 5 linear feet (Boxes: letter, ov ). Goodman was active in the motion picture industry as an art director for 47 years. He worked for Paramount in the 1930s and 1940s. Many of the photos are location shots for various films including Wells Fargo (1937), The Howards of Virginia (1940), and European locales as late as the 1950s.
P-14. Prints. (Gen.Col. 1002)	Del Valle Collection, ca.1870s-1900. Photographs. 2 linear feet (Boxes: letter). Photos of the Ygnacio and Reginaldo Del Valle families, active in California business and government in the 19th century. Mostly family photos, including views taken at their rancho Camulos near Ventura. Arrangement is numerically by accession number. Part of Del Valle Family Papers (Gen. Col. 1002).
P-15. Prints.	Esther E. (Strauss) Lovell Collection, 1911-1916. Photographs. .4 linear feet (Boxes: letter). Photographs taken by Esther Eva Strauss (Mrs. Rueben G. Lovell) in Juarez, Mexico, and El Paso, Texas at the time of the Mexican Revolution. Pictured are soldiers, military leaders, and civilians including Francisco (Pancho) Villa, Francisco Madero, and Pascual Orozco. A number of views show dead bodies after the fighting.
P-16. Prints.	Disney Transparency Collection, ca.1940. Color transparencies. .2 linear feet (Boxes: half-5" x 7"). Sixteen 4" x 5" color transparencies of scenes from Walt Disney's animated feature films Pinocchio and Fantasia. Given by Walt Disney to Henry Anson Wylde of the Museum's Exhibits Division in appreciation of an exhibition at the Museum in Nov. 1940 which was titled "Retrospective of the Walt Disney Medium."
P-17.	Photo Album Collection.
P-18.* Prints. Negs.	Japanese-American Collection, ca. 1900-1940s. Photographs, negatives. 3 linear feet (Boxes: letter, 5" x 7"). Copies of photographs made by various photographers dealing with the Japanese community in Los Angeles and Southern California.
P-19. Prints.	Theodore Roosevelt Camp #9 Collection. 3.5 linear feet (Boxes: 5x7", letter). Photographs of the Spanish-American War, the Philippines, and the Philippine Insurrection. Also, China and the Boxer Rebellion, and Japan.
P-20. Negs.	Lantern Slide Collection. Glass positives. 22 linear feet (Boxes: half-letter, 5x7") Primarily scenic travel views but includes some theater announcement cards as well.
P-21* Prints.	Stereographic View Collection, ca. 1900-1920s. Stereographs. 12.5 linear feet (Boxes: 5" x 7"). California, and other states, plus topics such as agriculture, California missions, Indians, war scenes and La Brea Tar Pit fossils. Included are five original boxes, each formed along one edge to look like a book spine, which contain a set of stereos of a world tour including India. One of these boxes contains a stereo viewer. Arranged geographically and by subject.
P-21.1* Prints.	Sears Roebuck Stereographic View Collection. Stereographs. Views of the Sears Roebuck company operations
P-22. Prints.	Exhibition Photos, ca.1960s-1980s. Photographs. 3 linear feet (Boxes: ov ). Display photos left over from various Museum exhibits, including Manzanar (1971-72), the Lando Hall, America's Black Heritage (1969-70), the Gold show (1987), the Los Angeles show, the Jack Alexander exhibit (1980), and an exhibit on photography.
P-23. Prints.	Lyman J. Muchmore Collection, ca.1890-1930s. Photographs. .4 linear feet (Boxes: letter). Family photos of Lyman J. Muchmore, Asst. Curator of Life Sciences at the Natural History Museum, 1923-1937. Includes a couple of Museum views.
P-24. Prints. Negs.	Native American Collection, late 19th c.-early 20th c. Photographs. 2.5 linear feet (Boxes: letter). Includes albums and original prints.
P-25. Prints. Negs.	Stokes Collection. Photographs, negatives. .4 linear feet (Box: letter.) Concerns the 1910 bombing of the Los Angeles Times building and the subsequent trial. Photos of individuals involved in the trial and photos of a few exhibit items. Compiled by police reporter Frank E. Stokes.
P-26. Prints.	Motion Picture Collection, early-mid 20th c. Photographs. 25 linear feet (Boxes: letter). Stills arranged alphabetically by actor, director, and by film title, as well as several other categories such as cameramen & studios.
P-27. Prints. (Gen.Col. 1102)	Alfred R. Waud Collection. Photographs. .4 linear feet (Boxes: letter) Photographs of Civil War illustrator Waud, his two wives, and daughters. Part of Alfred R. Waud Papers (Gen. Col. 1102).
P-28. Prints. (Gen.Col. 1098)	Upham Collection. Photographs belonging to the Upham family.
P-29. Prints. Negs.	Henry France Rile Collection, early 20th c. Photographs, negatives. l linear foot (Boxes: 5x7", half-letter). Views of Southern California, particularly Santa Monica taken by Rile.
P-30.	Cowan Collection.
P-31. Prints	Mule Hill Collection, circa. 1971. Photographs. 3.75 linear feet (Boxes: record boxes). Rolled, aerial photos of the Mule Hill area in San Diego County taken as part of research conducted by History Division Research Associate Konrad Schreier concerning the actual location of the site of the Mexican War Battle of San Pasqual.
P-32. Prints.	Olympic Games (1932) Collection. Photographs (1984 copy photos). 1.5 linear feet (boxes: letter, ov ). Copy photos of 1932 Olympics in Los Angeles, from the Museum's 1984 exhibit which was part of the 1984 Olympic Arts Festival.
P-33. Prints.	Ida Husted Harper Collection of Susan B. Anthony Photographs, ca., 1870s-1906. .4 linear feet (Boxes: letter, ov). Photographs of Anthony, her sister Mary, and associates, such as Elizabeth Cady Stanton, Anna Howard Shaw, Lucretia Mott, and biographer Ida Husted Harper. Also, photos of several Anthony homes.
P-34. Prints.	Hazard-Dyson Collection. Photographs. Views of Los Angeles and environs taken by the Hazard-Dyson studios, Los Angeles.
P-35. (Gen. Col. 1003)	Owen C. Coy Collection.
P-36. Prints. Negs.	Carl Victor Jonasson (1880-1960) Collection, ca.1898-1902. Photographs, negatives. 2.5 linear feet (Boxes: half-letter). Family photos; turn-of-the century Americana.
P-37. Prints. (Gen.Col. 1061)	Amelia Earhart (1898-1937) Collection, 1928-37, 1945. Photographs. 1.2 linear feet (Boxes: letter, 5 x 7"). Photographs of aviator Amelia Earhart, publicity shots as well as photos with husband George Palmer Putnam and friends, and of her mother Amy Otis Earhart. Includes photos of other aviators such as Charles Lindberg and Orville Wright. Primarily from the 1930s. Part of Amelia Earhart Papers (Gen. Col. 1061).
P-38. Prints. Negs.	A. P. Miller Collection of Indian Petroglyphs. Photographs, negatives. .4 linear feet (Boxes: letter). Mojave Indian petroglyphs photographed 1927-1933 by A.P. Miller, railroad engineer and amateur photographer who lived in Needles, California.
P-39.* Prints.	Drewry Tournament of Roses Collection, ca. 1953-1969. Transparencies, slides, motion picture film. 3.3 linear feet (Boxes: 5 x 7", letter). Color transparencies, slides, and motion picture film of the Pasadena Tournament of Roses Parade, the Rose Bowl Game, and the Rose Queen and her Court, various years, 1953-1969. Drewry Photocolor Corporation was the official photographer for the Tournament of Roses.
P-40. Prints. Negs.	E. Coll Brown Collection. Photographs, negatives. 2.1 linear feet (Boxes: letter, 5 x 7"). Mining in Baja California; and the 1906 San Francisco earthquake and fire.
P-41. * Negs. Prints.	H.D. Gibbins Collection, ca. 1890-1910. Photographs, negatives. 2.5 linear feet (Boxes: letter, 5 x 7). Views of Southern California communities particularly the San Gabriel and San Bernardino Valleys, Catalina, and coastal cities. Photographer's first name not known; last name is dubious. ("H.D. Gibbins Photos" appears on several of the photographs, but it is not known whether the photographer himself identified them or if another person did so. Captions in the same penmanship appear on all of the photographs, many of them misspelled.)
P-42. Prints. (Gen.Col. 1220)	Edward H. Amet Collection. Photographs. .4 linear feet (Boxes: half-letter)
P-43. Prints. (Gen.Col. 1127)	Joseph P. Widney Collection, ca. 1880-1903. Photographs. 1 linear foot (Boxes: letter)
P-44. Prints.	Don Louis Percival Collection, circa 1870s-1904. Photographs. 1 linear foot (Boxes: letter) Photos of Native Americans in Arizona, New Mexico and California. Includes three photos by J. K. Hillers and eight by James Stevenson. There are also 27 of Zunis by Mrs. M. C. Stevenson.
P-45. Prints.	Tom Powers Photo Album, circa 1912-1914. Album. .4 linear feet (Boxes: letter flat) Photo album with stills from movies with silent screen actor Tom Powers including Susie to Suzanne, The Cylinder's Secret, The Great Diamond Robbery, The Haunted Rocker, Fanny's Melodrama & Under the Makeup. Some photos unidentified. Others featured include Florence Turner, Lillian Walker, and Clara Kimball Young.
P-46. Prints.	Elizabeth Marsh Collection, ca. 1913-17 Photographs. .4 linear feet (Boxes: ½-letter) Four photographs of logging in St. Helen's, Oregon, provided by the donor's father-in-law, Edward Payson Marsh, who was a clerk in a logging store ca.1913-17.
P-47. Prints.	Adrienne Van Holt Dowling Collection. Photographs, case art. Family photographs.
P-48.	John Stoddard Portfolio of Photographs. (Boxes: 1 ov)
P-49.* Prints.	Pictorial California Collection, ca. 1926-1970. Photographs. 30 linear feet (Boxes: letter, ov.) Photographs from Pictorial California magazine. Part of the collection is arranged by date and issue number of the magazine; the balance is arranged by subject.
P-50. Prints. Negs. (Gen.Col. 1107)	George Steckel Collection, ca. 1900s-1920s. Photographs, negatives. 120 linear feet (Boxes: 5" x 7", letter). Studio portraits of Los Angeles citizens and family members, including people prominent in the community. Mostly negatives only, some original prints. Arranged alphabetically. Gen. Col. 1107 contains one order book from Steckel's studio.
P-51. Prints.	Edward S. Curtis Coll., ca. 1910-1920s. Photographs. .6 linear feet (Boxes: legal, half-legal). Gravure prints from volumes 2,3,6,14,16 & 17 of North American Indians, plus 3 gelatin silver prints and 5 platinum prints signed by Curtis.
P-52. Prints. Negs.	Black History Exhibit Collection, 1969-70. Photographs, negatives. 1.25 linear feet (Boxes: letter). Copy photos and negatives made for the Museum's 1969-70 exhibit on America's Black Heritage. Many are copies from books. Arranged numerically. A card file is available.
P-53. Prints.	Industrial Technology. Photographs. 13.3 linear feet (Boxes: letter). Photographic holdings collected for reference and collection research by curators in charge of this section of the History Division. Includes aspects of transportation such as automobiles, aviation, ships, and railroads; and communications such as the history of photography.
P-54. Prints. Negs. (Mss. 494)	Maldonado Collection. Photographs, negatives, ca. 1900-1920. .4 linear feet (Boxes: letter). Primarily photos of the Jose Maldonado family in Southern California, including agriculture scenes.
P-55. Prints.	Slauson Collection. Photographs, ca.1885. .4 linear feet (Boxes: ½-letter) Four matted photographs of the home of Johnathan Sayre Slauson, 2345 S. Figueroa Street, Los Angeles, ca. 1885.
P-56. Prints. (Gen.Col. 1079)	Arthur Cornelius Goebel (1895-1973) Collection, mainly 1920s and 1930s. Photographs. 10 linear feet (Boxes: letter, ov). Personal collection of aviator, racer, and stunt pilot. Goebel's claim to fame was his victory in the Dole Race from California to Hawaii in 1927. The collection includes many publicity shots as well as "family" photographs. Part of the Arthur C. Goebel Collection (Gen. Col. 1079).
P-57* Prints.	Viroque Baker (1889- ) Collection. Photographs, 1916-1948. 2 linear feet (Boxes: ov, half-letter). 218 photographs made by Los Angeles photographer Viroque Baker. She attended the Clarence White Photographic School in New York, 1916. Baker had a photographic studio on Olvera Street in Los Angeles from 1930 to 1937. She won several awards for work done for Los Angeles department stores. A number of her photos are of the early days on the revitalized Olvera Street. Other subjects include views of Europe and Mexico, construction of Hoover Dam, and displays at Bullock's Wilshire and I. Magnin stores. Also included are photographs of Agnes de Mille, Douglas Fairbanks, Jr., and of movie sets for Mary Pickford. Baker's mother Maude was a professional photographer in Montana and in Los Angeles.
P-58.* Prints. (Gen.Col. 1005)	Mode Wineman (1865-1933/4) Collection, ca. 1900s-1910s. Photographs. 2 linear feet (Boxes: ov). Exhibit photos, matted and signed, of National Parks and the scenic western United States. Also a framed portrait of Theodore Roosevelt. A number of contact prints are pasted into two books with typed text by Wineman (TR 647 .W 726 W.H. vol. 1 & 2). Part of the Mode Wineman Papers (Gen. Col. 1005).
P-59. Prints.	Elmer Clifton Collection, ca. 1910s-1920s. Photographs, album. 1 linear foot (Boxes: letter, ov). Location shots (West Indies, India), postcards, some movie stills relating to the career of silent screen star Elmer Clifton. Clifton appeared in D.W. Griffith's Birth of a Nation and Intolerance.
P-60. Prints.	Hoopes Collection, ca. 1900-1905. Slides. .4 linear feet (Boxes: letter). Copy slides of southwest Indians, ca. 1900-1905. Many of these are similar to Vroman photos (see P-1).
P-61. Prints.	Westwood Hills Business Village Collection, ca. 1920s. Photographs. .2 linear feet (boxes: half-letter). Contains real estate development illustrations in the area of Westwood Village.
P-62.* Prints.	Eddie O'Donnell Collection, ca. 1913-1920. Photographs. .2 linear feet (Boxes: ½-letter). 81 black-and-white photographs of racecar driver Eddie O'Donnell, some of the Duesenbergs he drove, and other racecar drivers.
P-63. Negs.	R. Rolleston West Collection. Negatives. .4 linear feet (Boxes: 5" x 7"). Travel views including the Orient, early 20th century.
P-64. Negs.	Olympic Games (1984) Collection. Aperture cards. 3.75 linear feet (Boxes: 5" x 7"). "Construction, Look, & Signage" aperture cards for the various sports and venues for the 1984 Los Angeles Olympic Games.
P-65. Prints. (Gen.Col.)	Theodore G. Lemmon (1855-1932) Collection, circa 1885-1916. Prints, negatives. Negs. .2 linear feet (Boxes: letter, half-letter, 5x7"). Lemmon served as a teacher, then as superintendent of Indian Schools at San Carlos, New Mexico, at Grand Junction, Colorado, and at Keams Canyon,Arizona. He was also involved with Jesse Walter Fewkes of the Smithsonian Institution in the excavations at Mesa Verde (circa 1916). Photos include Taos, Grand Junction Indian School, Keams Canyon, Fort Mojave Indian School, Mesa Verde Cliff Dwellings, and studio portraits.
P-66.	Bransford Collection.
P-67. Prints.	Leadabrand Collection, circa 1890-1910. Album. .4 linear feet (Boxes: letter) Loose pages from album of photos of the Philippines, Hawaii, and the South Seas. Approximately 190 images, albumen prints, sepia-toned. Most are identified and in good condition.
P-68.*	Case Art Collection, circa 1850-1910. 12 linear feet (Boxes: postcard, ov).
P-69. Prints.	American Mutoscope and Biograph Company Collection. Albums. 1.25 linear feet (Boxes: postcard). Six small volumes containing the catalog of Biograph films. There are three proofs each from approximately 3000 short films. Catalog includes title and running length.
P-70* Prints. Negs.	Arthur Barr Collection, ca. 1970s. Photographs, negatives. 2.25 linear feet (Boxes: legal, 5" x 7"). Stills from commercial film-maker Barr's educational films on California history including Indians, Rancho Life, Mining, Trapping, etc., produced in the 1970s. List of subjects is available.
P-71. Prints.	Esther Stanley Collection, 1910. Photograph album. .4 linear feet (Boxes: letter) Album of prints from a 1910 railroad excursion trip from Boston to the Southwest and up the Pacific coast and into Western Canada. Photos were taken by various people on the trip, then combined into the album.
P-72. Negs.	Crary Magic Lantern Slide Collection. Glass positives. .2 linear feet (boxes: half 5x7"). Eleven hand-painted slides, showing people and animals, used for story illustrations. Ten fit into magic lantern projector that is part of same donation.
P-73. Prints.	Pemberton Collection, ca. 1906-07. Scrapbook and photograph album. l linear foot (Boxes: flat letter, ov). Scrapbook of John Roy Pemberton ( -1968) of his college days at Stanford University. There are also loose pages from a photo album showing Stanford sports teams for rugby, track & field, and rowing. Photos of away competitions show the Portland (Oregon) Rowing Club, and Vancouver, B.C., where the rugby team had a match and went sightseeing. There are also cyanotypes of earthquake damage at Stanford resulting from the 1906 San Francisco earthquake. Pemberton served on the Museum's Board of Governors from 1945- 1963.
P-74.	Film Frame Collection. [In progress]
P-75.* Prints. Negs. (Gen.Col. 1012)	William S. Hart (1864-1946) Collection, ca. 1890s-1940s. Photographs, negatives. 33 linear feet (Boxes: letter, 5" x 7", ov). Views of the Hart Ranch in Newhall during construction and after completion; pictures of silent screen cowboy star William S. Hart, his sister Mary Ellen, and others at the Ranch; stills from Hart films arranged by film title; portraits of Hart with his horse Fritz, with fellow actors and co-stars. There are numerous portraits of Hart from his early theater days through his film career. Includes Plains Indian photos by David F. Barry (see P-75.1 below). Part of the William Surrey Hart Papers (Gen. Col. 1012). See also: P-98 (William S. Hart County Park Research Files.)
P-75.1 Prints.	David F. Barry (d.1934) Collection, ca late 19th-early 20th century. Photographs. 2 linear feet (Boxes: letter, half-letter). Barry was a Plains Indian photographer who had a studio in Bismark, North Dakota, in the 1880s. Many of his photographs are at the Denver Public Library.
P-76.*	Stereoscopic Protean Views Collection (Boxes: 1 5x7)
P-77. Prints.	C. C. Pierce Collection, ca. late 19th-early 20th century. Photographs. .2 linear feet (Boxes: letter, 5x7"). Photographs of Los Angeles and Southern California by prominent local photographer Charles C. Pierce.
P-78. Prints.	Portrait Collection, ca. 1860s-1950s. Photographs. 9.6 linear feet (Boxes: letter). Portraits, mostly of Southern Californians, arranged alphabetically.
P-79. Prints. (Gen.Col. 1170)	Los Angeles Fire Department Collection, ca. 1908. Photographs, photograph album. 1 linear foot (Boxes: letter, ov). Photo album with "Los Angeles Fire Department, 1908, compiled by Edwards-Hostetler Studio" printed on cover. Assembled by Thomas A. Carmichael, Financial Secretary for the Los Angeles Firemen's Relief Association, who also provided descriptions, updated through 1944. There are also views of fire stations, portraits and group shots of firemen. Part of the Los Angeles Fire Department Collection (Gen. Col. 1170).
P-80. Prints	Harrison Gray Otis (1837-1917) Philippine Island Album, 1899. Photograph album. .4 linear feet (Boxes: ov). Views of the Philippine Islands, 1899, during the Spanish-American War, including Manila, battle scenes, and tourist views; with hand-written descriptions by Harrison Gray Otis, a brigade commander, U.S. Army. See also: P-240: Philippine Lantern Slides Collection
P-81. Prints.	Los Angeles County Free Library. Photographs. .4 linear feet (Boxes: ov). Includes views of California Missions, Catalina, Southern California general, and sheep.
P-82. Prints.	Carleton E. Watkins (1829-1916) Collection, ca. 1880. Photographs. .4 linear feet (Boxes: ov). Twelve mounted photographs of California missions.
P-83. Prints.	Pierce/McConnell Album, ca. 1894. Photograph album. .4 linear feet (boxes: ov). Photographs taken by Charles C. Pierce advertising business establishments in Los Angeles, ca.1894. The views are mostly interiors of the stores, but the images are somewhat faded.
P-84. Prints.	Panama-Pacific Exposition Collection, 1915. Photographs. .4 linear feet (Boxes: ov). Photos from the 1915 Pan-Pacific Exposition in San Francisco.
P-85. Prints.	World's Columbian Exposition Collection, 1893. Photograph album. .4 linear feet (Boxes: ov). Photo album from the 1893 Chicago World's Fair, the World's Columbian Exposition.
P-86. Prints.	Ramsey Collection. Photographs. .4 linear feet (Boxes: ov).
P-87. Prints.	Elizabeth J. Harris Collection, ca. 1940s. Photograph album. .4 linear feet (Boxes: ov). Scrapbook with photos and memorabilia from W.W.II, belonging to Elizabeth J. Harris, one of the first women in the U.S. Marine Corps.
P-88. Prints.	Ben Abril Collection, mid-20th century. Two photograph albums, photographs. .6 linear feet (Boxes: ov, half-letter). Photographs of paintings by Los Angeles artist Ben Abril depicting historic buildings and scenes in Los Angeles. Also some publicity (newspaper clippings) connected with his paintings, some of which are in the Museum collections. Also loose b/w and color photos of the artist at work.
P-89.* Prints.	Alexander Gardner (1821-1882) Collection, 1868-1869. Photographs. .4 linear feet (Boxes: ov). Photographs of construction on the Union Pacific Railway from Across the Continent. Several photos are of cities in Kansas, where Gardner went in 1967 to photograph the country and the railroad construction. Thirty- five of these one hundred fifty views are in the collection. Gardner is best known for his Civil War photographs. He was in charge of Mathew Brady's gallery in Washington, D.C., from 1858 until 1863, when he opened his own business, and he made the last known photograph of Abraham Lincoln. A list of the photos is available.
P-90. Prints. (Gen.Col. 1016)	Florence Turner (1888-1946) Collection, 1915-1933. Photograph albums, photographs. .8 linear feet (Boxes: letter). Photographs of silent motion picture actress Florence Turner in four of her films, one album per film. These are: "Far from the Madding Crowd" (1915), "Gum Justice" (1916), "Lost and Won" (1915), and "My Old Dutch" [1915]. Also stills from films, and portraits. Part of the Florence Turner Scrapbooks (Gen. Col. 1016).
P-91. Prints.	Mervyn Freeman Collection, ca. 1940s-1950s. Photograph album. .4 linear feet (Boxes: ov). Scrapbook of news correspondent/photographer Mervyn Freeman, ca. 1940s-1950s, including World War II Pacific theater, and China (Manchuria) in 1933.
P-92. Prints. (Gen.Col. 1221)	Russell E. Danforth Collection. Postcard albums. .4 linear feet (Boxes: ov).
P-93. Prints.	Harry White Family Collection. Photograph album. .4 linear feet (Boxes: flat letter). Album of an African-American family living in Lectonia, Ohio, late 19th century.
P-94. Prints.	William Henry Fox Talbot (1800-1877) Collection. Photographs. circa 1844-1846. .4 linear feet (Boxes: ov). Photographs from photographic pioneer Talbot's Pencil of Nature.
P-95. Prints. (Gen.Col. 1183)	Miriam Spicer Collection. Photographs. 1.25 linear feet (Boxes: letter, 5" x 7"). Portraits and family photos. Part of Miriam Spicer Papers (Gen. Col. 1183).
P-96. Prints.	Sepulveda-Mott Collection. Photographs and albums. 1.7 linear feet (Boxes: letter, 5 x 7", flat letter).
P-97. Prints.	J. F. Jack Collection, 1906. Photograph album. .2 linear feet (Boxes: half-letter). Album with captioned views of Virginia. Documents a trip taken mid-summer of 1906 on the steamer Middlesex up the Rappahannock River from the Fredericksburg Wharf to the Walsingham Estate and Belle Grove "birthplace of President Madison." Also Curl Neck Farm on the James River, Port Royal, the York River, and "Negro Quarters" on a plantation near West Point, Virginia.
P-98. Prints. (Gen.Col. 1192)	William S. Hart County Park Research Files. Photographs. .2 linear feet (Boxes: half-letter). Photographs and slides of Hart Park as part of the Los Angeles County Department of Parks & Recreation activities there. Part of William S. Hart County Park Research Files (Gen. Col. 1192). See also P-75 (William S. Hart Collection.)
P-99. Prints.	Frederic Hamer Maude (1858-1959) Original Print Collection, ca.1890-1920. Photographs. .4 linear feet (Boxes: letter). Original prints made by F. H. Maude. Includes Mt. Lowe, Los Angeles, Redlands, Catalina Island, agricultural scenes, and Missions Santa Barbara and San Fernando. For original Maude negatives see P-2.2. For an album of Maude prints of Southwest Indians see P-100. For an album of Maude prints of California Missions see P-132.
P-100.* Prints	Frederic Hamer Maude (1858-1959) Photograph Album of Southwest Indians, ca. 1890s. Album. .4 linear feet (Boxes: letter). Album of 40 photographs of Southwest Indians made by F.H. Maude. For original Maude negatives see P-2.2. For other original Maude prints see P-99. For an album of Maude prints of California Missions see P-132.
P-101. Prints. Negs.	General Photo File. Photographs (ca. 1860-1980s.) 58 linear feet (Boxes: 5" x 7", letter, half-letter, 3-ring binders).
P-102. Prints.	Stuart S. Towne Collection. Photo album dismantled (ca. 1900). .2 linear feet (Boxes: half-letter). Loose pages from a family album. Photos taken at East Aurora, New York, ca.1900; Pasadena and Redondo Beach, CA, 1910-20; Statue of Liberty, ca.1918; San Francisco and the Pan-Pacific Exposition, 1915.
P-103. Prints.	D. C. Vinson Collection. Photo album, late 19th c. .4 linear feet (Boxes: letter). Family portrait album containing many albumen prints. The album covers are ornately decorated with metallic (brass) bells, and a mirror. Vinson was a Sergeant with the 53rd Illinois Volunteer Regiment during the Civil War.
P-104. Prints.	United Nations Collection. Photographs, 1946-47. .2 linear feet (Boxes: half-letter). Variety of photos from the U.N. Department of Public Information showing various United Nations activities and buildings in the early days after the organization's formation.
P-105. Negs.	Hawaii Collection. Negatives, ca. 1900. .4 linear feet (Boxes: 5x7"). Collection of 4 x 5" copy negatives that appear to be made from photos in album. Some captions appear below image.
P-106.* Negs.	Caribbean Trade Cruise Collection. Negatives, ca.1920. .4 linear feet (Boxes: 5 x 7"). Collection of 4 x 5" negatives with scenes from the Caribbean Islands, Columbia, the Panama Canal, Venezuela, and Mexico.
P-107.* Prints.	American Institute of Architects Collection. Photographs, ca. 1950s. .4 linear feet (Boxes: letter). Southern California chapter photos. Includes public buildings, residences, churches, schools, offices, and factories.
P-108.* Prints.	Los Angeles City Schools Travel Collection. Photographs, ca. 1910-30. 2.1 linear feet (Boxes: letter). Photographs collected by the Los Angeles City Schools Division of Visual Education, covering a variety of topics, and intended as a supplement to classroom instruction. Primarily foreign countries, with some U.S. A numbered list with descriptions is available.
P-109. Negs.	H. G. Kaiser Collection. Negatives, ca. 1900-1921. .6 linear feet (Boxes: letter, half-letter). Views of early 20th century Alaska, most taken by Kaiser, although some appear to be copies of other photographers' work. Includes Eskimos, dog sleds, native wildlife, Nome, Anchorage, and mining towns.
P-110. Negs.	La Opinion Newspaper Collection. Negatives, ca. 1920s-1950s. 75 linear feet (Boxes: letter, half-letter). Negatives of Spanish language Los Angeles newspaper La Opinion.
P-111. Prints.	Union Station Collection. Photographs, ca. 1939. .4 linear feet (Boxes: letter). Photographs of Union Passenger Terminal, Los Angeles, just after completion in 1939. Includes some shots of maintenance staff, and of the interior of the dining car and the lounge car. The photos were taken by the Luckhaus Studios. Arthur Luckhaus operated a photographic studio in Los Angeles from 1926 at least through 1942, according to City Directories.
P-112. Prints.	Hammer Collection. Postal card photographs, ca. 1898-1900. .6 linear feet (Boxes: 4 x 5", 5 x 7"). Spanish-American War views of soldiers in camp training, the U.S. Army and civilian population in the Philippines, plus general views of California and Japan.
P-113. Prints.	Robert Fergusson Collection. Photographs, albums, ca. 1890-1915. .4 linear feet (Boxes: legal.) Includes the Spanish-American War in the Philippines and various Forts and Army posts in the United States afterwards.
P-114. Prints.	Henry Raub Collection. Photographs, negatives, ca. 1900-1920. Negs. .4 linear feet (Boxes: legal.) Primarily photos of Whittier, with some other Southern California views.
P-115. Prints.	Ralph Hamlin Collection. Photographs. .8 linear feet (Boxes: ov) Hamlin was an early Los Angeles bicycle racer and dealer, as well as a Franklin Automobile dealer. The collection consists of items related to his business and career.
P-116. Prints.	Lugo Family Collection, late 19th-early 20th c. Photographs. .4 linear feet (Boxes: ov) Photos of family members.
P-117. Prints.	Civil War Exhibit Collection. Photographs. .8 linear feet (Boxes: letter flat) Photographic portion of a traveling exhibit on the Civil War mounted by Security Pacific National Bank in the early 1980s; the final exhibit stop was the Natural History Museum.
P-118. Prints.	Lincoln Portrait Collection. Photographs. .4 linear feet (Boxes: letter flat) Copies of many of the photographs made by various photographers of Lincoln; originals are in the Meserve Coll., N.Y.C.
P-119. Prints.	Charles F. Holder Collection. Photographs. .8 linear feet (Boxes: letter) Collection consists primarily of photos mounted on cardboard of Southwest Indians and California scenes circa 1900. Some are credited to other photographers, so Holder may have only compiled the collection.
P-120. Prints.	Du Shane Collection. Photographs and postcards.
P-121.* Prints.	Putnam-Valentine Original Print Collection, ca. 1900-1910. Photographs. .2 linear feet (Boxes: half-letter) Photographs made by Putnam and Valentine, obtained independently of and subsequent to collection P-2.1 and intended to complement that collection.
P-122. Prints.	Bausch and Lomb Optical Company Collection, circa 1950. Photographs. .2 linear feet (Boxes: letter) Twenty-six photographs from an exhibit illustrating the manufacture and use of optical glass.
P-123.* Prints.	George N. Wilkie (1879-1941) Collection, circa 1905-1915. Photographs. .2 linear feet (Boxes: half-5x7") Fifty photographs by Wilkie, who was photographer for the Cawston Ostrich Farm in South Pasadena. Twenty-nine are of Cawston's. The others are Southern California recreational views (parks, beaches, etc.).
P-124. Prints.	Index of American Design, circa 1940. Photographs. .2 linear feet (Boxes: letter flat) Photos of paintings of the "Stations of the Cross" made at San Gabriel Mission by Indian neophytes, ca. 1779.
P-125. Prints.	Mrs. M. C. Frederick Collection, circa 1885. Photographs, daguerreotype. .2 linear feet (boxes: half-letter) Cabinet photos of Seattle, Washington, taken by Mrs. Frederick. They are mostly of buildings but also included are son John, coal mines, and Judkin's Photo Studio where she learned to take pictures.
P-126. Prints.	James E. House Collection, circa 1917-1918. Photographs. .2 linear feet (Boxes: half-letter) Nineteen photos of the U.S.Army in Mexican border service and in France during W.W.I. Several photos show the same young U.S. soldier in uniform, who may be House.
P-127. Prints.	W. L. Watts Collection, circa 1895-1902. Photographs. .2 linear feet (Boxes: letter, flat) Photos taken by Watts, mostly of Nevada and California desert and mining scenes. Also, some Los Angeles and Southern California.
P-128. Prints	Alexander F. Harmer (1856-1925) Collection of Southwest Indian Photographs, circa 1880-1900. Photographs. .6 linear feet (Boxes: letter) Photos collected by western artist Harmer, mostly of Southwest Indians, but also of the U.S.Army, Mexico, and Dakota Indians.
P-129. Prints. (Gen.Col. 1135)	Munroe McFarland (1867-1924) Collection, circa 1884-1922. Photographs, album, & stereoviews. 1 linear foot (Boxes: letter, 5x7") Photographs relating McFarland's career in the U. S. Army. Included is a photo album of his classmates at West Point (class of 1888), including wedding announcements of some of the cadets. He was stationed in Kansas, Nebraska, and South Dakota and photos include of the U.S. Army and Indians in the 1890s. McFarland served in Cuba and in the Philippines during the Spanish-American War; stereopticon views show the war in the Philippines and Port Arthur during the Russo-Japanese War. Part of the Monroe McFarland Papers (Gen. Col. 1135).
P-130. Prints.	Jones Stables Album, circa. 1900. Album. .4 linear feet (Boxes: letter) 180 photos of wagons, coaches, and other horse-drawn vehicles. "Fat Jones Stables" printed on cover.
P-131. Prints.	Allard Arms Album, circa 1900. Album. .2 linear feet (Boxes: half-letter) Album of 35 photographs, including 11 cyanotypes, showing firearms, edged weapons, and accessories of J.J.Allard, St. Louis, Mo., arms dealer. Some of the pieces in the Museum collections are illustrated in this album.
P-132. Prints	Frederic Hamer Maude (1858-1959) Photograph Album of California Missions, circa 1890s. Album. .2 linear feet (Boxes: flat letter) Thirty-three photographs of California missions including San Diego, San Luis Rey, San Juan Capistrano, San Gabriel, San Fernando, Santa Barbara, and Carmel. Some of the prints have Maude's name on them. For original Maude negatives see P-2.2. For original Maude photographs see P-99. For album of Maude photographs of Southwest Indians see P-100.
P-133. Film reels	Herbert Royston Motion Picture Films, circa 1940s. .2 linear feet (Boxes: letter) Pasadena Tournament of Roses Parades, circa 1940-45, 2 reels, 16 mm. Also 1 reel, 16 mm, early Kodachrome color: "Horseless Carriage Days. Early Meet at Auto Club of Southern California."
P-134. Film reels	Motion Picture Films 1.5 linear feet (Boxes: letter, flat)
P-135. Negs.	Atlas Imperial Gas Engine Company Collection, circa 1912-18. Negatives. .4 linear feet (Boxes: letter) Views of San Francisco plant, interiors and individual engines including 2-and 3-cylinder stationary gas engines.
P-136. Negs.	J. Stuart Blackton Collection, 1921. Glass positives. .2 linear feet (Boxes: half-letter) Scenes from the first feature-length (5-reel) color motion picture, The Glorious Adventure, 1921, which Blackton produced. The transparencies are black & white. (The program for this film is in the General Collections printed materials
P-137. Prints.	Charles Patterson Stereograph Collections, circa 1890-1910. Stereographs. .4 linear feet (Boxes: 5 x 7") Views of Europe and the United States collected by Patterson.
P-138. Stereographs.	Helen Wheeler Bassett Stereograph Collection, ca. 1890-Prints. .6 linear feet (Boxes: 5 x 7", half-5 x 7") Views of the United States, South America, and Europe collected by Bassett.
P-139. Prints.	Logging Industry Collection, c. 1868-70. Photographs. .5 linear feet (Boxes: flat ov, half-letter) Photos of the logging industry operations in Eureka, CA.
P-140. Prints.	James N. Gillette Aviation Collection, circa 1930-1950s. Scrapbooks. .6 linear feet (Boxes: flat letter) Two scrapbooks including clippings, correspondence, and photographs on general aviation.
P-141. Prints.	Willis O'Brien Scrapbooks, c. 1929-30, 1933. Scrapbooks. .5 linear feet (Boxes: flat ov) Two scrapbooks of photos compiled by special effects genius Willis O'Brien, best known for his work on King Kong. One album contains production shots from Son of Kong (1933), including views of the crew at work. The other album contains matte shots for First National Pictures' films, 1929 and 1930, including work by artists Mario Larrinaga and Bryon Crabbe who worked with O'Brien.
P-142. Prints.	William J. Cleveland Native American Collection, 1872-1907. Photographs. .2 linear feet (Boxes: half-letter) Rev. Wm. J. Cleveland was a missionary at Rosebud and Pine Ridge Indian Agencies in South Dakota from 1871-1907. The photos were collected and preserved by Rev. and Mrs. Cleveland.
P-143.* Films.	Toy Projector Film Collection, ca. 1940s. .4 linear feet (Box: 5x7") Eight 8-mm films for toy projector also in Museum Collection.
P-144.* Film Strips.	Chevrolet Sales Managers Institute Film Strips, circa 1950s. .4 linear feet (Box: 5 x 7") Twelve b/w instructional filmstrips for Chevrolet sales managers showing various aspects of how to sell automobiles. Titles range from "Finding Prospects" to "The Road Demonstration" to "Women!". A list of individual titles for each strip is available.
P-145. Film Positives.	Glyphoscope Stereo View Collection, circa 1899. .4 linear feet (Box: 5 x 7") Eight boxes of stereo views of France taken with the Glyphoscope stereo camera which is also in the Museum collection. The stereo views are sepia film positives.
P-146. Prints Negs.	Zettler Exposition Park Collection, 1919-1922. Photographs, negatives. .4 linear feet (Boxes: half-legal) Wide-angle, panoramic views of Exposition Park taken by Ferd J. Zettler, a realtor and general building contractor in Los Angeles. Shown are the Natural History Museum, the Science & Industry Museum, and the Armory. Events include the Oct. 19, 1919, livestock show and the Nov.11, 1919, Armistice Day Celebration, both at the Grandstand; and an April 1922 parade and patriotic celebration at the newly completed Coliseum.
P-147. Negs.	San Francisco Earthquake & Fire Lantern Slides, 1906. Lantern Slides. .4 linear feet (Boxes: 5x7") Thirty-two lantern slides produced by the Perry Vitascope Co. of Los Angeles, showing fire and earthquake damage.
P-148. Prints (Gen.Col. 1026)	T. K. Peters Collection. Photographs, negatives. Negs. .4 linear feet (Boxes: half-letter, ov flat) Materials related to the history of film making.
P-149. Prints.	Donovan Roberts Collection, 1961-65. Photographs, slides. 1 linear foot (Boxes: 5x7", half-letter) Photos of Los Angeles including Victorian houses in the Bunker Hill area. Also views of Sonora and Chihuahua, Mexico. Photos were taken by Roberts, who handled public relations for the Museum. Included are photos of Luz de Villa, widow of Pancho Villa.
P-150. Prints.	Columbus Tower Bell Photos, 1916. Photographs. .4 linear feet (Boxes: letter flat) Photographs relating to the 1916 removal of a bell from the Columbus Tower in Santo Domingo, Dominican Republic. Bell is supposed to be in the Museum collection.
P-151. Negs.	Los Angeles Schools Activities Collection, c.1917-1930s. Negatives. 2 linear feet (Boxes: 5x7", half-letter) Scenes of activities at various schools including John Burroughs and the 14th Street School. Included are W.W.I wartime activities such as planting gardens. Also plays and cast.
P-152. Prints.	Fire Arms Slides. Slides. .4 linear feet (Boxes: 5x7") Slides of firearms in the History Division collections.
P-153. Prints.	Aubrey S. Howell, W.W.I Collection, c. 1915-1919. Photographs, postcards. .4 linear feet (Boxes: 5x7") Items collected by and relating to Howell while he was serving in the U.S.Navy in W.W.I. Also includes a Navy song book and joke cards. Gift of Melvin Hindin, 1992
P-154. Prints.	Frank L. Park Collection, c. 1900. Photographs. .2 linear feet (box: half-letter)
P-155. Prints.	Edward Allen Biby (1884-1952) Collection. Photographs. (ca. 1915-1935) .6 linear feet (Boxes: 5x7", half-letter) Photos of actors and actresses and film making in Hollywood during the silent era, collected by Biby and his wife Marion Strauch Biby. He was one of the first casting directors in Hollywood-he discovered Jackie Coogan-and was also a director and publicity agent who worked with Charlie Chaplin, who appears in some of the photos. Also included are typescripts of a play "The Red Virgin" by Biby, 1933-1939. There are also family photos including his post-film career as a real estate agent in Orange County.
P-156.	Exposition Park-Monroe Doctrine Centennial Exposition, Prints. 1923. Photographs. .2 linear feet (Boxes: half-letter) Fourteen photos showing an artist's rendering for and construction of temporary buildings built between the Coliseum and Figueroa, including pictures of the construction crews. The exposition was held in 1923.
P-157. Prints. (Gen.Col. 1001)	Antonio Franco Coronel (1817-1894) Collection. Photographs, ca. 1850-1900. 1.25 linear feet (Boxes: letter) Photographs of the Coronel family members and friends, and of Southern California.
P-158. Prints.	George Fiske (1835-1918) Collection, c.1880s-1900s. Photographs. .4 linear feet (Boxes: flat letter) Seventeen photographs of Yosemite, plus three others of the Monterey coast that may be by Fiske. Fiske was the first resident photographer in Yosemite, living there for nearly forty years. All of his negatives were destroyed in two fires (1904 and 1943); only his prints remain today.
P-159. Prints.	Camp Pendleton Yearbook, 1945. Photographs. .4 linear feet (Boxes: flat letter) Mock-up publication with photos and some captions, showing U.S. Marine Corps training activities at Camp Pendleton, San Diego County, Ca.,1945.
P-160. Prints.	Philippine Islands Collection, c. 1905. Photographs. .2 linear feet (Boxes: half-5x7") Views of native life of the Bontoc and Igorot natives, photographed on the island of Luzon in 1905.
P-161. Prints. Negs.	Oriental Mine Research Collection. Photographs, negatives. .4 linear feet (Boxes: letter) Photographs made by Don Chaput and Bill Cumiford of the Museum's History Division staff during July 1984 and 1986 field trips to the Oriental gold mine in Sierra County, CA., near the town of Allegheny. A number of these artifacts from the mine have been donated to the Museum (A.10938.84) by Donald Dickey, who owns the mine property. The Oriental mine began operations in the 1860s, was most active at the turn of the century, and ore was still mined there in the 1990s. There are also some views of China Camp (the Gold Star mine) and the Del Norte stamp mill.
P-162. Prints.	Schreier Family Photo Collection, c. 1924-25. Photographs. .2 linear feet (Boxes: half-letter) Many taken in Santa Barbara where the family lived including the Santa Barbara earthquake, July, 1925. Also, outings to San Diego and San Juan Capistrano. There are loose photos plus 15 unbound pages from an album with a number of views of Santa Barbara Mission.
P-163. Prints.	MOX Wrecking Company, c. 1950. Photographs. .2 linear feet (Boxes: half-letter) A dozen photos of buildings to be demolished by the MOX Wrecking Co., all Los Angeles except for the Miramar Hotel in Santa Barbara. Also, Hoffman family photos (donor's parents).
P-164.* Prints.	Henrietta Waters Cole Memorial Collection. Photographs. .2 linear feet (Boxes: half-legal) A collection of fifteen historic photographs on several different subjects: J.W. Waters (San Bernardino mountain man and farmer of 1830s and 1840s); the San Jacinto (San Bernardino) earthquake of 1899; various scenes in El Paso, Texas and Mexico City; two photos of Asst. Surgeon William F. Edgar, U.S. Army.
P-165. Prints.	Harold Lloyd Collection, c. 1910s-1920s. Photographs. .2 linear feet (Boxes: half-letter) Production stills and publicity shots of Lloyd, of his films, and of his wife and father. Films include "Girl Shy", "Grandma's Boy", "Kid Brother", "Lonesome Luke", "Movie Crazy", "Speedy", and "Why Worry". (Note: Some of the stills are very brittle and require great care in handling.)
P-166. Prints.	Richardson Film Personalities Collection, c. 1930s-1940s. Photographs. .4 linear feet (Boxes: letter) Collected by Ruth R. Richardson, old-time vaudeville and circus performer, during the years (1923-1950s) she lived and worked in Hollywood, and had friends in the entertainment industry. She was the mother of the donor.
P-167. Prints.	Strong Family Collection, c. 1880-1910. Photographs, album. .4 linear feet (Boxes: letter) Family portraits, activities, outings in album and loose photographs. Harriet Strong was active in the suffragette movement in Los Angeles.
P-168. Prints.	Col. Fred B. Inglis (c.1885-1962) Collection, 1916-1945. Photographs. .4 linear feet (Boxes: half-legal, half-5x7") Colonel Inglis graduated from West Point in 1916 and served in the Philippines under McArthur. Photos are primarily of the Philippines and Camp Stosenberg, 1923-25. The photos have descriptions written on the back by Inglis. There is also a diary for March 24-28, 1924.
P-169. Prints. (Gen.Col. 1011)	Florence Lawrence (1886-1838) Collection. Photographs. (ca. 1910s-1920s) .2 linear feet (Boxes: half-letter) Photos of silent screen star Florence Lawrence including portraits, and stills from her movies.
P-170. Prints.	Bennie Pico Collection Photographs. .2 linear feet (Boxes: half-letter) Family photos and views of Southern California.
P-171. Prints.	Mathew Brady (1823-1896) Civil War Collection, 1862-65. Photographs. .2 linear feet (Boxes: half-legal) Many are carte-de-visite views of Civil War scenes with the Brady studio imprint on the back.
P-172.* Prints.	Mt. Lowe Collection. Photographs. .2 linear feet (Boxes: half-letter) Scenes of Mt. Lowe including construction of the Mt.Lowe Railroad. Many snow scenes. All by W.H. Hill, Pasadena photographer, except for one by George Wharton James.
P-173. Prints.	U. S. Navy WW II Collection. Photographs. .2 linear feet (half-letter) Official U. S. Navy photographs of leading officers and sea action by the Naval forces in the Pacific.
P-174. Prints.	Brousseau WW I Collection. Photographs. .2 linear feet (half-letter) Photos of soldiers and war scenes in Europe. Miss Kate Brousseau was a psychologist who served in the French army and worked with shell-shocked soldiers.
P-175. Prints.	Balsley WW I Collection. Photographs. .2 linear feet (Boxes: half-letter) Collected by Dr. John A. Balsley, Capt., U.S. Army, who served in England and France. Included are war scenes in France.
P-176. Prints.	Marion Hollenbach WW II Hawaii Collection. Photographs. .2 linear feet (Boxes: half-letter) Hollenback was a WAVE and served in Hawaii during WW II. There are photos of WAVE training as well as pictures of native Hawaiian life.
P-177. Prints.	Chadwick Collection of European Scenes and Costumes. Photographs. .4 linear feet (Boxes: half-letter, half-5x7") Mostly hand-colored carte-de-visite photos of people wearing 19th folk costumes. Many are by Julius Hahn of Hamburg, Germany. There are also unmounted albumen prints of European countries, Egypt and India, apparently acquired by the Chadwicks during their travels.
P-178. Prints.	Australian Law Enforcement, WW I. Photographs. .2 linear feet (Boxes: half-letter) Photos of insignia, law enforcement officers, and armed forces personnel in Australia during WW I.
P-179. Prints.	Hotel del Coronado Collection, c. 1890. Photographs. .2 linear feet (boxes: half-letter) Boudoir photos of the hotel, interiors and exteriors, by San Diego photographer Parker. Appear to have been taken shortly after the hotel was built in 1888.
P-180. Prints.	Madeline F. Wills Collection. Photographs. .4 linear feet (Boxes: half-letter, half 5x7") Part A) scenic views of Yellowstone National Park, circa 1900, by F. Jay Haynes, the official photographer of the Northern Pacific Railroad. Part B) views of Germany, Italy, Switzerland, and France.
P-181. Prints. (Gen.Col. 1187)	Charlie Chaplin (1889-1977) Collection, ca.1920s-1930s. Photographs. .2 linear feet (Boxes: half-letter) Photographs of Chaplin working on films, sets from his movies, and stills from films including "City Lights", "The Circus", & "The Gold Rush". Also, Chaplin at his home in Beverly Hills.
P-182.* Prints.	Chaplin Studio Collection, c.1900s-1980s. Photographs. .8 linear feet (boxes: letter, ov) Photographs and memorabilia relating to Charlie Chaplin and films made at the Chaplin Studio at 1416 North La Brea Ave. in Hollywood. Collected by David Alpert circa 1970s-1990s during his years as president of A&M Records which occupied the old Chaplin Studio.
P-183. Prints.	California Artists Collection, c. 1900. Photographs. .2 linear feet (Boxes: half-letter) Photos of artists and their studios, mostly friends of donor California painter J. Bond Francisco (1863-1931).
P-184. Prints.	News Service Photo Collection. Photographs. .4 linear feet (Boxes: ov) Primarily 16"x20" photos and captions from the Dispatch Photo News Service and the Elliott Service Co. Many were used in window displays.
P-185. Prints.	Banning Collection, ca. late 19th-early 20th century. Photograph album. .4 linear feet (Boxes: ov) Includes construction of family home in Wilmington, CA.
P-186. Prints.	Alice W. Alden Collection, late 19th c. Photographs. .2 linear feet (Boxes: half-letter) Views of late 19th century frontier including U.S. Army posts and Native Americans.
P-187. Prints.	Spanish-American War in the Caribbean. Photograph album, photographs. .4 linear feet (Boxes: flat letter)
P-188. Prints.	Harry J. Kizer Collection, c.1898. Photograph album, postcards. .2 linear feet (Boxes: flat letter) Album of photos from the Spanish-American in the Philippines, where Kizer served.
P-189. Prints.	Howland and Chadwick Collection, 1890s. Photographs. .2 linear feet (Boxes: half-letter) Views of a farm with a large house and barn. Frederick T. Howland and Redmond A. Chadwick operated a stock photo company on S. Main St. in Los Angeles from 1890-1899.
P-190. Negs.	Earl Theisen Collection Negatives .2 linear feet (Boxes: half-5x7") Material related to early 20th century motion picture film history.
P-191.	Harrison Gray Otis (1837-1917) Mexican Military Photos. Prints. Photographs. .2 linear feet (Boxes: ov) Mounted photos of the Mexican military, circa early 20th century.
P-192. Prints.	C.B. Waite Collection, c. 1900. Photographs. .2 linear feet (Boxes: half-letter) Various views of Los Angeles and Mexico.
P-193. Prints.	Pingrey Family Photo Album, late 19th c. Photo albums. 1 linear foot (Boxes: letter, 5x7") Album of portraits, most identified, and many are named Pingrey. Some portraits were made by Pingrey's Gallery, River Falls, Wisconsin. A second album of unidentified portraits also includes a number made by Pingrey's Gallery.
P-194. Prints.	Photograph Album of Automobile Camping Trip, c. 1914. Photo album. .2 linear feet (Boxes: half-letter) People vacationing at California Missions, Monterey, Pacific Grove, Pasadena's Raymond Hotel, Lake Tahoe, Redwoods, Sierra Nevada Mountains, Coachella and Imperial Valleys, and the San Gabriel and San Bernardino Mountains. A Cadillac and a Ford are featured.
P-195. Prints.	Los Angeles Flower Show Collection, c. 1930. Photographs. .2 linear feet (Boxes: half-letter) Photographs of an indoor Los Angeles Flower Show with model garden displays created by various nurseries. The photos are by Albert R. Hromatka.
P-196 Prints.	Louis R. Bostwick "Welcome to the Fleet at San Francisco" Photograph Album, 1908 1 vol.; 30 x 37 cm. Cover reads: "Welcome to the Fleet at San Francisco [;] Tour of Gov. Geo. L. Sheldon and Party April 26th to May 8 1908 [.] Photographs by Louis R. Bostwick [,] Omaha U.S.A. Note inside indicates that Amy M. Carpenter owned the album. Photographs are of Governor Sheldon and his family in California and the Southwest. In San Francisco the Governor was photographed on the battleship "Nebraska." Included are two panoramic color postcards.
P-197 Prints.	Peru Photograph Album, ca. 1900 1 vol.; 28 x 40 cm. Photographs of Rev. M. J. Pusey's travels in Peru. See also Gen. Col. 1262 for articles written by Pusey while in Peru.
P-198 Prints.	San Diego, Calif. Views, 1920s 1 vol.; 26 x 32 cm. Printed photographic views of San Diego published by I. L. Eno of San Diego. Printed by the Albertype Co. of Brooklyn, NY.
P-199 Prints.	Java and other Islands of the Indian Archipelago 1 vol.; 27 x 31 cm. Printed photographs glued into an album. Shows people, houses, boats, scenery.
P-200 Prints.	Family Photograph Album 1 vol.; 26 x 20 cm. Unidentified family photograph album. Several images missing.
P-201 Prints.	William M. Ferry Family Photograph Albums, 1860s 2 vol.; 16 x 14 cm. and smaller. Photographic albums of portraits probably of family members. Nearly all unidentified except for a few historical personages. See also: William M. Ferry Papers, Gen. Col. 1263.
P-202 Prints.	Knight Family Photograph Albums, ca. late 1800s 2 vol. ; 28 x 22 and 26 x 20. Family photographs, some identified. Also two 1912 Progressive Party Membership certificates, one signed by Margaret V. Knight.
P-203 Prints.	Prevot F. Marshall World War II Pacific Theater Photograph Album 6 items; 30 x 39 and smaller. Collection includes photo album of scenes in Pacific Theater of the war, Oct. 1943 to July 1945; Los Angeles Times VE Day issue, May 7, 1945; single issue of All Hands, Feb. 2, 1944; four issues of Guinea Gold, Dec. 1943-Feb. 1944; and nine pieces of American propaganda aimed at Japanese.
P-204	Family Photograph Album, 1920s Prints. 1 vol.; 17 x 25 cm. Album has been taken apart. Photographs of scenery and people at various locations (rather than formal portraits). Some views are of the Northwest coast and show totem poles and forested coastline.
P-205 Prints.	West Indies Cruise Photo Album, 1928 1 vol.; 17 x 23 cm. Book kept by Mrs. Elizabeth Y. Yuell of Highland Park, Illinois. There are photographs of Cuba, Panama, Puerto Rico, and Bermuda. There is also a passenger list for the cruise on the S.S. Veendam and an itinerary.
P-206 Prints.	Illustrated Photograph Album, ca. 1880s 1 vol.; 30 x 24 cm. Decorative photo album with color illustrations (chromolithographs) and a built-in music box that plays Toreador song from Carmen and another musical composition. There are fourteen photographic portraits in the album. Only one has a name associated with it: William King. One is a tintype.
P-207 Prints.	Ellen Soo Moon Photograph Albums, ca. 1905-55 2 vols.; 27 x 18 and smaller. Photographs and clippings pertaining to the Moon family. Photos are from Texas, Missouri and California .
P-208 Prints.	Family Photograph Album, ca. 1890-1910 1 vol.; 27 x 22 cm. Album of unidentified formal portraits.
P-209 Prints.	Photograph Album of Broken Hill, Rhodesia, 1927 1 vol.; 29 x 39 cm. Photograph album with captions. From the estate of Esther L. Morris Dietz. Dietz was married to Stewart A. Morris, an engineer on the Victoria Dam Project at the time this album was compiled.
P-210 Prints.	Family Photograph Album 1 vol.; 41 x 19 cm. Damaged velvet-covered album with metal clasp. Cover decoration is made of white plastic. The album contains unidentified portraits of men, women and children, some from Stockton, California.
P-211 Prints.	Family Photograph Album 1 vol.; 28 x 18 cm. Photograph album, upright on stand. Yellow plush with celluloid decoration on cover. Secret compartment in base. Compartment contains fragments of New Year's and Christmas decorations. Album contains portraits of men and women done by commercial photographers.
P-212 Prints.	Family Photograph Album, 1902-1906 1 vol.; 29 x 38 cm. Family Photograph album of scenes taken in California, Washington, Kansas, Indiana, Canada, and Alaska. Includes some photographs of destruction from the San Francisco Earthquake.
P-213	"A Photographic Record of the Allied Air Effort in Support of the Invasion of the Continent of Europe," by Col. M. H. Mckinnon 1 vol.; 35 x 51 cm. Largely aerial photographs of air bombardments in Europe during World War II.
P-214 Prints.	Taber Photo (San Francisco, Calif.) California Photograph Album, ca. 1886. 1 vol.; 35 x 50 cm. Album of 47 (21 x 31 cm.) photographs of California. Commercially produced by Taber Photo. Album is bound in blue velvet.
P-215 Prints.	Album of California Mission Photographs, ca. 1950 1 vol.; 46 x 38 cm. Commemorative album of original photographs "Presented to Armand Maurer in Recognition and Gratitude for Outstanding Service Rendered to the Franciscan Fathers."
P-216 Prints.	Leah Hellman Photograph Album, 1898 1 vol.; 29 x 40 cm. Photographs, ca. 1892-1912, of Leah Hellman and others. Most of the views are of recreational activities and show people at various Southern California tourist locations. There are several tintypes. See also: Leah Hellman Meyberg scrapbook, General Collection 1132.
P-217 Prints.	Photograph Album, ca 1917-1930s 1 vol.; 36 x 50 cm. Many of the photographs are of the training at Camp Kearny, California (WWI). There are also views of Southern California, including the ostrich and alligator farms and mountain scenery.
P-218 Prints.	Tourist Photograph Albums, ca. 1890 7 vols. ; 30 x 40 cm. and smaller. Albums of commercially produced photographs of California and the West. No personal photographs. California photos include images by F. H. Maude, C. B. Waite and Slocum.
P-219 Prints.	T. E. Boudinot Scrapbook, ca. 1926-27 1 vol.; 29 x 39 cm. Scrapbook of photographs of 12th Signal Company, Philippine Scouts, Capt. T. E. Boudinot commanding. Album is a mixture of official Signal Corps photographs and personal snapshots. Includes photographs of Philippines, China, Singapore and other unnamed locales in the Far East.
P-220 Prints.	Stereographs of Southern California, ca. 1880 4.5 linear inches ; 12 x 18 cm. and smaller. Views of Los Angeles and vicinity. Many have annotations on verso.
P-221 Prints.	Keystone Photo Service, Inc. Photograph Albums of Scenes of Southern California, ca. 1920 10 vols. (in 7 boxes) ; 34 x 55 cm. Photo albums produced by the Keystone Photo Service, Inc. of Los Angeles. Shows animals in Southern California.
P-222 Prints.	Keystone View Company Photo Albums of Scenes from Around the World, ca. 1920 4 vols. in 3 boxes. Photo albums produced by the keystone View Company of Meadville, PA. Shows various scenes from around the world.
P-223. Prints.	August Berg Photographs. 1 letter-size box. Transferred from Gen. Col. 1104: August Berg Military Papers (Spanish American War).
P-224 Prints.	Woodworth Collection. Photographs relating to Perry, Woodworth, & Co. (See also: Gen. Col. 1250).
P-225 Negs.	Southern California Scenes Collection, ca. 1900. The Museum has made prints of some of these images.
P-226 Negs.	Harmon Pacific General Contractors Collection. 1 box. Photographs of construction projects in Southern California, mostly public buildings. Interiors of Union Station. The Museum has made prints of some of these images.
P-227 Prints. Negs.	California Bungalow. Interior and exterior shots of a California bungalow.
P-228 Prints. Negs.	Hoffman-Luckhous Studio of Photography Collection, ca. 1940. Prints and negatives of commercial and industrial building interiors and the products of those businesses. Hoffman-Luckhous was a Los Angeles firm.
P-229 Prints.	"The Fire Brigade" Stills. Photographs of scenes from this ca.1926 film by Metro-Goldwyn-Mayer. Also includes a 3-page synopsis of the film.
P-230* Lantern slides.	Hearne Lantern Slide Collection. A collection of 887 slides, many of which are hand-colored. Some of the slides have the names of Los Angeles photographers such as Dresser, C.C. Pierce, Putnam-Valentine, and F.H. Maude. There are also quite a few with the marking of the Passenger Department of the Southern Pacific Railroad.
P-231 Film.	Toy Magic Lantern Film Strips. 2 5X7 neg. boxes.
P-232 Prints.	Long Beach Earthquake of 1933 Scrapbook of Photographs and Clippings. Scrapbook is in fragile and piecemeal condition. 1 ov. box.
P-233 Prints.	Carnival and Fair Photographs. (An artificial collection). 1 half-width letter size box.
P-234* Prints.	W.E. Jones Theatre Collection, 1916-1933. Photographs and scrapbook. (Boxes: letter, ov) Photographs and clippings concerning Los Angeles and San Diego theatres associated with W.E. Jones, theatre manager.
P-235 Prints.	Victor Scheurich Collection. Photographs of motion picture sets, cameramen, etc. 1 half-width legal size box.
P-236 Prints.	George J. Teague Collection. Assorted motion picture stills of projection and effect shots in pictures. width legal size box.
P-237 Prints. Negs.	Herbert L. Riggins Collection, ca.1895. 8 photographs & corresponding negatives of Alaskan gold rush scenes in area of Yukon known as Eldorado. Also one photo of Herbert Riggins.
P-238* Glass negs.	California Missions Collection, ca.1901. 53 glass negatives of California missions ca. 1901.
P-239* Prints (Gen.Col.1292)	Max Factor Collection, ca. 1930. 24 black and white publicity stills of make-up artist Max Factor, the make-up studios-including the chemistry lab, cosmetic factories, and consultation rooms-and various actresses having make-up applied by Max Factor.
P-240* Lantern Slides	Philippine Lantern Slides Collection 113 lantern slides (3 boxes) on Philippine ethnology taken during the Spanish-American War, 1895-1902. Images are of natives, dwellings, landscapes, and cultural activities. See also: P-80: Harrison Gray Otis Philippine Island Collection, 1899
P-241* Lantern Slides	William M. Dennis Collection Lantern slides, photograph, film. 2 negative boxes; half-letter box. 40 three-picture GEM lecture slides of various scenes and subjects, ca. 1900. One ten-picture demonstration slide for the Edison Home Kinetoscope, ca. 1905. Photograph of Centaur Film Co., ca. 1913. Roll of Edison Home Kinetoscope Film-"The Tramp's Revenge"-ca. 1905.
P-242* Prints	Haloid Company Collection, ca. 1920s Photographs. 1 ov box. 10 black-and-white studio photographs apparently used as samples of various types and textures of photographic papers manufactured by the company. The subjects of the photographs are young women in "studio" poses-holding flowers or a telephone, for example.
P-243* Lantern slides	Kenneth D. Peach, Jr. Lantern Slides Collection Lantern slides, 1 5x7 negative box. 28 lantern slides of the 1893 World's Columbian Exposition in Chicago. 6 lantern slides of miscellaneous California scenes.
P-244 Prints	Bob's Airmail Service Collection, c.1932-35 Photographs. 1 letter-size box. 7 photographs of a Mobil station at Wilshire Blvd. and Cochran in Los Angeles, some featuring an airplane on display and some featuring John McCormick, an employee and the donor of the collection.
P-245 Prints	Jackson Rose Collection Photographs, newsletters. 1 legal-size box. Photographs of cameraman, Jackson Rose, and Essanay Studios. Includes photos of Rose with Bell & Howell cameras. Some publicity newspapers from Essanay Studios, c. 1911-1914.