As a Member you get to see it first with free unlimited tickets to Mummies: New Secrets from the Tombs. Get a rare, up-close look at a selection of 20 mummies originating from ancient Egypt and Peru, and from many historic ages and backgrounds.
Fellows Members are invited to this exclusive party celebrating the West Coast Premiere of Mummies: New Secrets from the Tombs, our new temporary exhibit developed by The Field Museum, Chicago. Get a rare, up-close look at a collection of over 20 mummies, many of which have never been on public display, originating from ancient Egypt and Peru, and from many historic ages and backgrounds. Enjoy cocktails and refreshments, meet curators and archaeologists, and be the first to see this astonishing new exhibit.
Members at the Patron level and above are invited to this exclusive party centered around our new exhibit, Mummies: New Secrets from the Tombs. Discover the burial secrets of ancient peoples, along with new details about their lives and culture, while enjoying cocktails and refreshments.
See the world premiere of Mummies: New Secrets from the Tombs. Get a rare, up-close look at a selection of 20 mummies, many of which have never been on public display, originating from ancient Egypt and Peru, and from many historic ages and backgrounds. This exhibition reveals these people’s burial secrets, new details about their lives, and the societies they lived in.
Also on display will be richly decorated coffins, sarcophaguses, mummification tools, and mummies of birds, cats, and crocodiles. At interactive touchtables, you can “unwrap” layers of mummies, to see the precious objects the bodies were buried with, as well as vivid details about the individual children, teens, and adults who lived out their lives in ancient times. Using the modern technology of CT scanning, scientists have revealed a detailed look into long-vanished cultures of Peru and Egypt.
Mummies: New Secrets from the Tombs was developed by The Field Museum, Chicago.
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© 2015 The Field Museum, A115240d_001B, photographer John Weinstein
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Duncan Spencer was born in Los Angeles and studied art at the Chouinard Art Institute in the 1930s. He then took further instruction in watercolor painting from Arthur Beaumo and became a member of the American Watercolor Society. He worked as a scenic artist in the motion picture industry from the 1940s through the 1970s. He also produced California style watercolor paintings depicting regional subjects and exhibited them in annual watercolor society shows. Spencer produced a number of large scale background dioramas featuring landscape subjects for museum and corporate displays.
Robert Russell Reid began his professional career as a commercial illustrator. After ten years in advertising he obtained his first commission as a muralist, creating a life-sized depiction of an Indian village for the Neville Public Museum in Green Bay, Wisconsin. This led to several dioramas for the Wilbur May Museum in Reno, Nevada, the "Penguin Encounter" in San Diego's Sea World, and numerous movie and commercial set backdrops. Reid joined the museum staff in 1985. During the past twenty years he has painted many of the backgrounds for the African Mammal Hall dioramas and two of the dioramas in the North American Mammal Hall. He was also responsible for much of the art in the Schreiber Hall of Birds, the background for the Chaparral Hall, and two murals for the Page Museum. In addition, he has contributed many smaller paintings and illustrations for the museum's traveling exhibit program as well as artwork for the Petersen Automotive Museum and Columbia Gorge Discovery Center.
Hanson Duvall Puthuff was born in 1875 in Waverly, Missouri. After studying at the Chicago Art Institute, he moved to Colorado for art training in 1893 at the University of Denver Art School and then the Chicago Academy of Fine Arts. He was an established pictorial artist when he arrived in Los Angeles in 1903, where he worked for the next twenty-three years as a commercial artist, primarily painting billboards as well as a theater scene painter. He also was a significant teacher of private art classes. His great love, however, was "plein aire" landscape painting, which he took up full time in 1926. In addition to his own artistic achievements, Puthuff was an activist in the art community. He was assisted in the formation of the two most important artists organizations of the period, the California Art Club and the Art Students League of Los Angeles. He won numerous awards including a Diploma from the Alaska-Yukon Exposition in 1892 and Silver Medals at the Panama-California Exposition in 1915. He was a member of numerous clubs, including the California Art Club, the Laguna Beach Art Association, the Los Angeles Watercolor Society, the Pasadena Society of Artists, the Salmagundi Club of New York, the San Francisco Art Association, and the Southern States Art Association, and the Southern States Art League.
Frank Joseph MacKenzie (1865-1939) was born in London, England, where he studied at the Royal Academy and won the Turner gold medal and a traveling fellowship. He later studied in Paris at Académie Julian. After spending some time in southern Africa, he came to the United States to design the Boer War exhibit at the St Louis World's Fair of 1904. He moved to San Francisco in 1910 but also maintained a studio-home in Washington, DC. He painted dioramas at many museums across the United States including the Hall of Sciences and African Hall in Golden Gate Park (San Francisco), American Museum of Natural History, Springfield (Massachusetts) Museum, and the Trenton (New Jersey) Museum. He was the husband of artist Florence Bryant MacKenzie and died in San Francisco.
Florence Louise Bryant was born in Boston and studied at the Corcoran School of Art in Washington, DC, the National School of Fine & Applied Arts, and the Philadelphia School of Design for Women. In 1933 she married artist Frank J. MacKenzie (her second marriage). She maintained studios in San Francisco and in Washington, DC where she was the head artist for the Bureau of Exhibits and United States Forestry Service from 1917-42. She was a member of the Washington Art Club, Society for Sanity in Art, and Society of Western Artists. She exhibited at the Corcoran Gallery of Art (Washington, DC) during the 1930s and at the Society for Sanity in Art, California Palace of Legion of Honor in the 1940s.
Charles Abel Corwin was a lithographer and painter, although his specialty was museum murals and habitat background preparation. Born in Newburgh New York, he began his art studies in New York City, and then studied in Munich with the celebrated artist Frank Duveneck. Most of Corwin’s active career was in New York City, although he also spent a great deal of time in Chicago where he taught at the Art Institute. He belonged to the Chicago Society of Artists, the Salmagundi Club and the Bronx Artist Guild. Corwin’s work was exhibited at the Art Institute of Chicago (1900) where he won a prize, the Pennsylvania Academy of Fine Art between 1901 and 1906, the Chicago Society of Artists, the Boston Art Club (1906-7), the California Artists, Golden Gate Memorial Museum (1916), the San Francisco Art Association, and the California Palace of the Legion of Honor (1916).